Figure Study


I was so used to men staring
I thought it was the price I paid.


I used to wear fear like a robe I couldn’t drop
before walking on stage, afraid
the artist might capture something I can’t see
in my own body or face.
I once stood naked in the middle of a classroom,
blood dripping between my legs.
I did not move, did not wipe it away.
I let it fall to my feet until the timer rang.


I learned to stand naked for hours in stillness,
to be the canvas, blank.
To give to the artist what’s needed;
mostly shadows and shapes.
A man once told me
I was too beautiful to paint, that there was something
about me he couldn’t capture.
I learned at a young age not to give it all away,
that it’s better to be muse than mate.
I told him, I felt the same. I can’t grasp myself, either,
too good at silence, at restraint.
I’m an artist, I say, the world is too loud,
the body is never still, always churning, bleeding to create.
I want to tell you what it’s like
to be cut into marble, hung in a gallery,
frozen in a frame. I want to tell you
what it’s like to watch a man mold you in still life,
to let him believe he’s your maker as he carves
your ivory waist.
Such desire for the body he has formed.
Such art his hands crave—I want to tell you
what it’s like to hold a man in stillness, for hours,
then walk out unscathed.